Flash fiction is for readers on the go

Monday(s), April 6, 13, 20 & 27, 6:30pm – 8:30pm CT online via Zoom
Nonmember: $200; Member $170; Student/Educ/Mil: $140
*EARN CPEs; TWO SCHOLARSHIPS AVAILABLE

Flash fiction–very short stories with the distilled power of poetry–may be the ideal form for busy writers and readers. These stories take minutes to read, but linger in the mind long after the last sentence.

This four-session workshop will introduce you to a range of flash fiction forms–from the shortest pieces, such as 50-word dribbles and 100-word drabbles, to microfiction (400 words or fewer), flash fiction (1,000 words or fewer), and short-short stories (under 2,000 words). We’ll learn how to apply poetic techniques like anaphora, metaphor, lists, and short sections to create vivid, memorable stories that prove less is more. 

We’ll read example stories, write our own, and talk about our work, with the goal of shaping drafts for publication. By the end of the workshop, you will have at least two completed flash stories and ideas for where to publish your work.

This workshop will help students:

• Experiment with different forms and structures
• Learn how constraint and compression can, paradoxically, free your inner writer
• Write at least two complete flash stories
• Gather ideas on where to publish flash fiction works

Kathryn Kulpa was born in Rhode Island, the smallest state, and her favorite kind of stories to write are also small: flash and microfiction. She is an editor at Cleaver magazine and has stories in Flash Frog, Florida Review, Fractured Lit, Ghost Parachute, HAD, Monkeybicycle, Smokelong Quarterly, Women’s Studies Quarterly, and other journals. Her work has been chosen for Best Microfiction, Best Small Fictions, and the Wigleaf longlist. Kathryn won the Gold Line Press chapbook competition for her collection A Map of Lost Places (Gold Line Press). She is also the author of For Every Tower a Princess (Porkbelly Press) and Cooking Tips for the Demon-Haunted (New Rivers Press).