Blog Archives

This weeks’ #SaturdayNightSocial on Lifetime is the disturbing YA novel-turned-film set in San Antonio about young girls getting high on choking themselves. It’s based on Choke, a book by Gemini faculty Diana López who will be here on August 2 for a workshop on publishing.

 

 

 

 

Lately I’ve been taking as my “field of writing” pages of my journal & collaging them to arrive at texts derived from but strikingly different from the originals.

A photograph of Louis Asekoff seated at his desk in the Beat Hotel, Paris, 1963.

 

GEMINI INK: How do you work?

LOUIS ASEKOFF: I begin at sea & steer by star charts toward distant ports-of-call.

GEMINI INK: What is your favorite piece of writing advice?

LOUIS ASEKOFF: Surprise yourself! Follow where you go!

GEMINI INK: Do you have a favorite writing tool?

LOUIS ASEKOFF: I begin with the earliest computer, an Eagle #2, the wooden stylus with a pink rubber nub at one end & a lead point at the other. Then if I’m in an indelible mood I move on to a Swan pen or a Uniball Vision (fine). Finally, I edit, rewrite on that great revisionary instrument, an Apple desktop.

GEMINI INK: What is integral to your method of writing?

LOUIS ASEKOFF: Lately I’ve been taking as my “field of writing” pages of my journal & collaging them to arrive at texts derived from but strikingly different from the originals.

GEMINI INK: What is your next project?

LOUIS ASEKOFF: The Vanishing Hand.

 

 

I love a fountain pen I bought at a little store in S. France…but can’t seem to keep it working. So any marking tool will do.

Notebook at Piccott's End

GEMINI INK: How do you work?

KIM STAFFORD: I take a walk before dawn, and words come to me. Then I write them down. Then sunrise, and the day.

GEMINI INK: What theme or symbol keeps emerging in your work? Why?

KIM STAFFORD: Hidden things, secrets, darkness, not knowing, failing, stumbling, singing, breath, the work of the hand, peripheral vision, glimpses, dreams, ordinary things lit by strange light.
Notebook with chairNotebook in Barcelona

GEMINI INK: Do you have a favorite writing tool?

KIM STAFFORD: I love a fountain pen I bought at a little store in S. France…but can’t seem to keep it working. So any marking tool will do.

GEMINI INK: Describe your first writing desk.

KIM STAFFORD: There was a nook at the top of the stairs in my college house. I build a screen of concrete-spattered boards, and a desk of pallet wood.

GEMINI INK: What is integral to your method of writing?

KIM STAFFORD: Being open to what comes—today it’s the pain and confusion and glimmers of discovery following my mother’s death at 97 two days ago:


Second Birth

Hollowed by pneumonia, broken by a fall,
our mother with 97 years clenched
in her one good hand began
to grow smaller for passage
through her final knot of pain
with little cries a bird’s voice
flying in dark rain for
something we can’t see
here with her low lidded eyes,
cold skull, dry leaves
sticks, earth, and a promise.

 

Visit Kim Stafford

My favorite writing advice is “write it down.”
When you get the idea or verse, don’t wait. Write it down or you will lose it.

 

GEMINI INK: Hi Eduardo, can you describe your first writing desk to us?

EDUARDO GARZA: My first writing desk is the one I use now, one I built in shop class in Eagle Pass, Texas back in 1964. I designed and built it and it is still standing. I am sending you this note from my desktop, ha!

Picture 007cine

GEMINI INK: Do you have a favorite writing tool?

EDUARDO GARZA: I have no favorite writing tool, whatever is handy works. Once, all I could find to write with was the burnt ends of matches.

GEMINI INK: Does good writing result from best practices, magic or both?

EDUARDO GARZA: Good writing is decided by each of us. Who am I to say what good writing is, you either like it or you don’t.

GEMINI INK: What’s your favorite writer snack?

EDUARDO GARZA: Coffee and pan dulce are my favorite writing snacks. Sometimes a beer and peanuts. I don’t have a best/worst time of the day for writing, inspiration grabs me all day and night time too.

Garza 1GEMINI INK: Tell us about your next project.

EDUARDO GARZA: My next project is to create poetry videos, like music videos but with poems.

 

Follow Eduardo Garza at the Jazz Poets of San Antonio Facebook page

Some text under video

“More important than a desk is a room where I can close the door…”

photo-3

GEMINI INK: How do you work?

LAURA VAN PROOYEN: At my best, I write daily around 5 or 6 a.m. Because I was on the road a lot this summer, I fell out of this routine. I look forward to this fall to reestablish my pattern.

GEMINI INK: What theme or symbol keeps emerging in your work? Why?

photo-4LAURA VAN PROOYEN: My latest book manuscript, Our House Was on Fire, is riddled with birds. I either have to thank or blame a writing residency at the Ragdale Foundation in Lake Forest, IL where I happened upon a bird banding field team from a local university. I joined this team for 10 days, learning how to handle, identify, and band birds. For a long time after that, birds appeared left and right in my work.

GEMINI INK: Describe your first writing desk.

LAURA VAN PROOYEN: I’ve never had a writing desk. I write in my favorite ripped up chair that currently is in our guest room. I suppose I like the mobility of my laptop and notebook. When I tire of the room, I go to a coffee shop or to the library. Mostly, though, I like to write from my comfy chair, where I can access my bookshelf and chill with my cats. More important than a desk is a room where I can close the door.

GEMINI INK: What is integral to your method of writing?

LAURA VAN PROOYEN: I write best when I can look outside. Windows or access to the outdoors is key for me.

GEMINI INK: What is your next project?

LAURA VAN PROOYEN: When birds and other recurring figures refused to stop appearing in my work, I decided I needed to shift gears. I self-imposed a mandate for new poems: no husbands, no daughters, no birds. The result is a series of poems loosely based on childhood memories and an elusive character from my history named Frances. It’s exciting to write from a place that feels mysterious to me.

GEMINI INK: What is one way to jump start your creativity?

LAURA VAN PROOYEN: Show up and trust the process. Play.

photo-1

Visit Laura Van Prooyen

 photo

Whenever and wherever I am, I write. I keep a journal—dreams, ideas, conversations, imagined first lines…

GEMINI INK: Norma, what theme or symbol keeps emerging in your work and why?

NORMA CANTÚ: I guess a literary critic will have to answer this formally. For me, it is the border and also the idea of land and family.

GEMINI INK: Do you have any secret rituals you perform before you get started writing—tics, habits, special ceremonies?  How important is it to you to have a sense of sameness about your writing routine?

NORMA CANTÚ: No, I don’t have any special rituals and I don’t have a sense of sameness about my routine…it happens wherever I am. Of course, when I have had occasion to I relish the time devoted solely to writing, I do have a routine and I love the solitude as when I had the Beca Nebrija en Alcala de Henares and I wrote everyday, all day long, with short breaks for food and to walk a bit. I had a similar routine in Albuquerque when I wrote Canicula.

Canícula

GEMINI INK: Do you have a favorite writing tool?

NORMA CANTÚ: I use the computer, but I also write with ink pen or a pilot ballpoint. I like no. 2 pencils…

GEMINI INK: Describe your first writing desk.

NORMA CANTÚ: My first writing desk was the kitchen table at 104 E. San Carlos. Now, I have a simple table at home, and I have a university-supplied desk in my office.

GEMINI INK: How do you mentally get into a space for writing?

NORMA CANTÚ: Not sure, I just do it. Sometimes for poetry, I find that reading poetry elicits poetry from me.

GEMINI INK: What music are you listening to now?

NORMA CANTÚ: These days I continue to listen to a variety of things: Cesaria Evora to Eva Ybarra; classical (operas), musical theater, Conjunto and 60s music. I am watching an old movie about an opera singer: Jose Mujica.

GEMINI INK: What is the best writing time of day for you?  What is the worst?  Does it matter?

NORMA CANTÚ: The best is late at night… between midnight and 5 a.m. I don’t think there is a worst time… I can write at any time, so I guess it does not matter.

GEMINI INK: Do you have any special charms, talismans or souvenirs in your workspace? What and Why?

NORMA CANTÚ: No, but frequently some things find their way to my desk—the seashell from Finisterra or from Port Aransas, a feather found on my morning walk.

GEMINI INK: What is your favorite piece of writing advice?

NORMA CANTÚ: READ. I always tell students who ask, just read and then write!

GEMINI INK: Does good writing result from best practices, magic or both?

NORMA CANTÚ: Probably both and then some! I think it results in finding your path as a writer and following it…maybe it is writing in a cafe, or writing on a plane, or at home in a specific space…no le hace. Good writing emerges from deep emotion and truth telling.

GEMINI INK: What do you want to do in your writing that you’ve never done before?

NORMA CANTÚ: I have never written a full fledged play and I’d love to do so. I would also love to write a broadway musical based on the Camino de Santiago. I also have only dabbled in mystic poetry—I would love to do more of that.

GEMINI INK: What do you consider the best/worst trends in writing today?

NORMA CANTÚ: Best trends: the personal narrative, flash fiction, and graphic novels. The worst: probably writing that seeks to shock by using profanity.

GEMINI INK: What’s your favorite writer snack?

NORMA CANTÚ: I don’t have any… in fact some times I forget to eat when I am writing!